This home was a farm house, built either in the late 1890s or early 1900s with an addition in 1912. It is a rare surviving example of early pioneer development in the South Vancouver area. Its defining characteristics include its location very near the lane (not uncommon in this period of development), its minimal setback, its simple but expressive ‘L’ shape configuration and massing including gable roofs and a covered hipped entry porch. Much of the exterior features survive from the 1912 addition, including siding, trim and double hung windows. It currently listed in the ‘C’ evaluation category on the Vancouver Heritage Register.
The property was subject to a Heritage Revitalization Agreement (HRA), permiting a developer to subdivide and develop the new lot in exchange for conserving the farm house. The original positioning of the house on the northwest corner supported this.
The developer attempted to restore the original windows, but had no experience in this area. In order meet the HRA requirements, the developer hire us to restore the original sash and perform maintenace on the jambs. The sash were in good condition, require only a couple of repairs and tightening of the joints. The jambs were repaired in situ, requiring only tightening of joints and some minor glue where the wood had split. One jamb needed a new sill, but this was able to be done in situ as well. However, some of the repairs complete before our arrival were highly questionable and the bulk of the labour cost was in undoing the work.
Historic information courtesy of by Donald Luxton& Associates Inc.
This is the first project I took on under the Housewright name.
This scale is on display at in the lobby at 540 Beatty Street as a heritage feature. Originally there were two scales; one located at the loading bay and the other at the rear of the main floor. They were stored on site throughout construction, and as such had accumulated a layer of concrete slurry and other dust. There was also some damage to some pieces and some missing. However, there were only enough useable parts to build one complete scale–but they had to be assembled. I was able to find enough information to assemble so that it could be functional again.
I cleaned all parts with a brass wire brush and mild detergent. Previous to work on the building, the wood cross member had sustained water damage. On the top-side the varnish had failed some time ago and the wood had some water related damage. I had to use a scraper to remove the damaged wood (testing showed the wood was too far gone to absorbed any finishes). Some patina was lost, obviously. The original branding, visible in the photo, was still in excellent condition.
After cleaning, much of the paint and finish were lost. I applied a black semi-gloss oil paint directly over the remaining paint on the cast iron pieces to protect it from rust. The brass needed no such treatment. I am on the fence on the wood finish I used: clear polyurethane. Polyurethane will make any future restoration difficult, as it will want to take any other finish (including the lettering) should removal be required. Keeping in mind that the scale sits in a high traffic area (directly beside the entrance to the main elevator), and has no other protection, plans or requirements for maintenance in place, this treatment recovers some virtue. It will give excellent protection and can be re-coated to renew the protection.
Overall, I was happy with the project, as was the general contractor and the consultant.
Statement of Significance
Simon Fraser University’s Burnaby Campus sits atop Burnaby Mountain with views of much of the Lower Mainland. It is a complex of stark modern design and exposed concrete construction amid acres of parkland.
The historic value lies largely in the number of significant persons associated with SFU. Architect Arthur Erickson is arguably Canada’s most famous architect, and this was one of his first major commissions. The design was characteristic of the period, and became signature of Erickson’s work. As well, a number of other significant figures in British Columbia’s history have been involved in the school, including founders WAC Bennett and Gordon Shrum, and alumni Terry Fox, Margaret Trudeau, Lui Passaglia, David Usher, and a several prominent political figures.
The establishment of the university played a pivotal role in the development of post-secondary education in British Columbia, and events that took place during its formative years have had influence on other province’s education programs and operations. Further, it was a significant step in the evolution of Burnaby from a suburb of Vancouver to a city on its own right.
SFU’s educational/academic value is in its maintained building style which has been continued from its inception, the association of historical significant people who pass through its doors—as students, faculty, leaders and honorary persons— and its growing collection of art and artefacts from BC’s history.
The ongoing growth of the school is testament to its economic value. The growing student population is a contributing factor. Enrolment generates income directly from students and also ensures funding from provincial and federal governments. Employees and secondary businesses add to the local economy. The land value with the new UniverCity development adds value to the university and the city as well.
- Example of modern brutalist architecture, having the characteristic harsh angular geometries and exposed rough concrete, structural members, and utilities.
- Use was made of the existing contours, and enhanced by utilizing terraces that placed an emphasis on horizontal expansion rather than vertical.
- Omission of tall, multi-story buildings.
- Covered walk-ways connecting all the buildings.
- Lecture theatres grouped together.
- Building looks complete while readily permits future expansion.
Last summer (2010) I volunteered at Harvest Haven Health in Lethbridge AB. For 2-weeks I worked on a projected led by two Master Carpenters from Japan (Yoshitomo Takahashi and Akihiro Kitami) and attended by a number of other timber framers.
I was there for the last two weeks and was invloved in the assembly and raising. There wasn’t as much instruction as I had hoped, but I was able to see a number of demonstrations, sound out a number of processes, and try my hand at a number of tools outside my usual activities (chainsaw mills, portable mortiser, carving attachments for grinders, and an assortment of specialty planes and chisels). Work included some fairly advanced layout, cutting scarfs, mortise and tenons, assembly, erection (knocking the dust off my rigging training), and pegging. The highlight for me, skill-wise, was the scribed mortise and tenon using logs (photo of completed joint included).
Here is a collection of commercial buildings Philip worked on with Vintage Woodworks.
A couple of notes to the pictures:
Federal Motors Building, Window Restoration. Winner of Heritage BC Award of Honour.
Water St. Buildings, From the left, Al Hambra, The Garage, Cordage, and Terminus Buildings. Various window and storefront work. Collectively went on to share the 2010 Lieutenant-Governor of B.C. Award in Architecture.
Wing Sang Building Window and Storefront Project, Window restoration, Combination restored/replaced storefront. The small red storefront on the left I saw through from condition survey, to design (including CAD shop drawings), to estimate, to installation.
This is a house that I worked on last summer which is listed on New Westminster Heritage Register. Built in 1890, it numbers amongst the city’s oldest existing buildings. It is a three bedroom 1 ½ story home with a steep sloped cross-gabled roof. It is a balloon framed with combination cedar shingle and lapped siding. The original owner, Mr. Alexander M. Hennessey, was a shoemaker on Columbia St. in New Westminster.
The significance of this building stems from it being an example of early New Westminster vernacular architecture. It is old, relative to other buildings in the Lower Mainland. It is representative of a period of development in this neighbourhood and a boom period in local history. There have been limited alterations and much of its original fabric is still intact, including nearly all of its original windows (my specialty). Having records available documenting the history of the building—including photos, ownership and events—personalizes it.
Further, the house is situated on a large 60” x 120” lot, giving it current economic value. This was able to trigger a Heritage Revitalization Agreement with the city, permitting a developer to subdivide (increasing density of the lot) and build an addition on the existing house in exchange for restoring the exterior of the home to its nineteenth century condition.
Historic information courtesy of “Hennessy Residence Conservation Plan” by Donald Luxton& Associates Inc.